The publication launches a monograph with the challenge of bringing new perspectives on an artist of whom almost everything has been written.

Despite its modest size, Picasso's El paseo de Colón, painted in 1917, stands as a testimony to the encounter between Pablo Picasso and Barcelona in that year.

RTVE Audio has presented two podcasts and an audiobook dedicated to the figure of Picasso, on the 50th anniversary of his death. The initiative, promoted by the Governments of Spain and France, explores the arrival of Guernica in Spain, the image of the artist and his literary work.

RTVE Audio has presented two podcasts and an audiobook dedicated to the figure of Picasso, on the 50th anniversary of his death. The initiative, promoted by the Governments of Spain and France, explores the arrival of Guernica in Spain, the image of the artist and his literary work.

RTVE Audio has presented two podcasts and an audiobook dedicated to the figure of Picasso, on the 50th anniversary of his death. The initiative, promoted by the Governments of Spain and France, explores the arrival of Guernica in Spain, the image of the artist and his literary work.

In the context of the Picasso Celebration 1973-2023, an initiative promoted by the Governments of Spain and France that pays tribute to the artist on the 50th anniversary of his death, RTVE Audio presents two podcasts and an audiobook dedicated to the figure of Picasso.

Picasso and His Friends, written in 1933, is an illuminating account of the life of the young and passionate Pablo Picasso through the eyes of his partner, Fernande Olivier.

"Picasso never ends" Josep Palau i Fabre once said, and this idea of an infinite artist with an unfinished work fifty years after his death is the theme of the latest issue of the magazine 'Litoral', dedicated to the Malaga-born artist.

The section of the RTVE Audio platform expands its offer of audiobooks with a selection of works by Rosario de Acuña, Álvaro Mutis, Gloria Fuertes, Antonio de Nebrija and Picasso.

Pablo Picasso's Guitar (1914) marks a radical leap from the conventional sculptural tradition to a new assemblage technique.